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1. A CHORUS LINE: DOES IT ABIDE BY RULES ESTABLISHED BY ACTORS' EQUITY ASSOCIATION FOR THE AUDITION PROCESS? A CHORUS LINE: DOES IT ABIDE BY RULES ESTABLISHED BY ACTORS' EQUITY ASSOCIATION FOR THE AUDITION PROCESS?
2. TRULY AN AWESOME SPECTACLE": GENDER PERFORMATIVITY AND THE ALIENATION EFFECT IN ANGELS IN AMERICA TRULY AN AWESOME SPECTACLE": GENDER PERFORMATIVITY AND THE ALIENATION EFFECT IN ANGELS IN AMERICA
3. BLACK CATS, BERLIN, BROADWAY AND BEYOND: CABARET HISTORY IN THE MAKING BLACK CATS, BERLIN, BROADWAY AND BEYOND: CABARET HISTORY IN THE MAKING
4. BLACK CATS, BERLIN, BROADWAY AND BEYOND: THE GENRE OF CABARET BLACK CATS, BERLIN, BROADWAY AND BEYOND: THE GENRE OF CABARET
5. FOOD FOR JOYOUS LAUGHTER: CONTEMPORARY PRODUCTIONS OF GILBERT & SULLIVAN'S THE PIRATES OF PENZANCE FOOD FOR JOYOUS LAUGHTER: CONTEMPORARY PRODUCTIONS OF GILBERT & SULLIVAN'S THE PIRATES OF PENZANCE
6. THE CHALLENGE OF PLAYING MULTIPLE ARTHURIAN CHARACTERS THE CHALLENGE OF PLAYING MULTIPLE ARTHURIAN CHARACTERS
7. THE ESTATE OF MENDACITY: AN INTERPRETATION OF WILLIAMS'S MOST AMBIGUOUS CHARACTER THE ESTATE OF MENDACITY: AN INTERPRETATION OF WILLIAMS'S MOST AMBIGUOUS CHARACTER
8. THE MIND OF A SADOMASOCIST:A THEATRICAL ROLE ANALYSIS OF ORIN SCRIVELLO D.D.S THE MIND OF A SADOMASOCIST:A THEATRICAL ROLE ANALYSIS OF ORIN SCRIVELLO D.D.S
9. TURNING TRICKS AND THE MODERN FEMALE PROTAGONIST: AN ANALYSIS OF THE PORTRAYAL OF THE ROLE OF THE DEMIMONDE TURNING TRICKS AND THE MODERN FEMALE PROTAGONIST: AN ANALYSIS OF THE PORTRAYAL OF THE ROLE OF THE DEMIMONDE FROM VIENNESE OPERET
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